Sunday, September 28, 2014

Some of my Favorite Artists!!

Back in July, my friend, Anne Bollman, asked me if I'd like to participate in a blog hop and I said yes, of course, not realizing that it was the same blog hop that I'd agreed to do for Melissa Iwai (which is here).
I finally managed to do my part for Melissa a few weeks ago but didn't manage to do it for Anne until now (sorry!).  Since I've already answered all the questions for Melissa, I decided to make this post a feature about some of my favourite artists, showcasing their work and explaining why I love it.  
If any of you ladies would like to continue the 'hop' you just have to write something about me, answer some questions about yourself (see below) and feature two more artists. Here are the questions;
1. What are you working on?
2. How does your work differ from others in your genre?
3. Why do you create?
4. How does your creative process work?
But since I broke the rules, I don't mind if you do too - so no obligation!!!

Anne Bollman

First I'd like to show you some of Anne's stunning work.  Anne is based in Los Angeles. I love her sense of humor.  It's evident in almost everything she does. I think this is why she's so brilliant at doing characters - her sense of fun enables her to create relatable, friendly personalities for almost anything you can think of.  Look at that snail, and the ink blot with 'oops' written in it!!!  Anne has a fresh, clean graphic style that I can imagine on a million products!

Isn't this a beautiful concept - the idea of all the different modes of transportation.  Usually this is a masculine theme (cars, airplanes) so it's so refreshing to see a feminine version - a lemon yellow camper van and a bicycle with flowers in the basket!! Anne also does co-ordinates very successfully, taking elements of the key designs and creating simple repeats to create a broad reaching collection.

Look at these gingerbread men/women/  They're skiing on candy canes and they've just come from their ginger bread house!! And their candy canes are making a heart shape!  And the trees are lollipops!  So much thought and humor has gone into this concept.  You can see more of Anne's work here.

Betsy Wood

The next designer I'm featuring is Betsy Wood who lives in England.  I love her work.  It's incredibly trend-driven and clever.  Look at how she's used foliage as the fox's tale, the owl's wings and the peacock's tail. And the simplicity of the animal shapes - they're so uncluttered but are full of personality!

And this! The lettering is really varied but cohesive and I love the bird shapes, especially the one facing his tail.  Each one has a different voice too!  

Are you blown away by this?  I was when I first saw it!  Look at the details!!  So original, such variety.  There are layers and layers of disparate imagery here, all held together with incredible skill and understanding of color and composition.  Look at the hole punch circles, the stag emblem, the arrow on the owl's chest, the cameo brooch, the vintage wallpapery ground.  Amazing talent!

Isn't this a lovely idea for the GTS Terrarium project!!  You can see more of Betsy's work here.

Rebecca Jones

Next is GTS finalist Rebecca Jones. She's English but lives in Melbourne, Australia. She's an absolutely brilliant illustrator and it's no surprise that she made it to the final stage of the competition.  Rebecca creates the most appealing characters imaginable and sets them in worlds that are both vibrant and delicate at the same time.  There's something light and lacy about her style that exudes femininity without being at all girly or twee. Rebecca has an incredible imagination and I always find a subtle surprise in her designs. In this one it's the watermelon slices on this little girl's dress!

This design is FULL of delightful surprises.  This is Rebecca's entry for the first round of the GTS. Look at that house in the tree with the ladder!!!! The squirrel running up the side of the jar!  The linear toadstools tucked into the background, the gently floating seed pods around the edges!! And look at the bear's face!  I want this to be a story to read to my children!!  

How pretty and delicate is this!!  You can see more of Rebecca's work here.

Flora Waycott

Here's Flora's beautiful work.  She's English/Japanese but lives in New Zealand. She's also a GTS finalist and it's no surprise in her case either!!!  Flora also has a delicate, illustrative style.  Her characters are massively appealing and beautifully proportioned.  She often uses a gentle color palette (I tend to think of it as European) and well observed, hand drawn, linear icons.  Look at these little women.  Creating appealing adult, female characters is extremely difficult as they can either look too young or not pretty enough.  I think these hit the perfect note.

Flora is very inspired by nature.  Her floral studies are beautiful.  She's half Japanese and I think this comes across in her work - something about the simplicity and cleanliness of the imagery.  There's nothing heavy or over complicated.  Very few, well executed elements make a really strong impact.  You can see more of Flora's work here.

 So - there you go! Aren't they all incredible!!!  Good luck Rebecca and Flora with the GTS and good luck to Anne and Betsy with your wonderful designs! xxxx

Monday, September 15, 2014

Need a mid-year diary? Buy one at WHSmiths right now (I know the designer!)

We went to England for a couple of weeks in August and I thought while I was there I'd just pop into WHSmith's near my Mom's house and see if there were any of my designs in there.  And yes!!!  I found them.  Cute aren't they!  I like them sat next to each other on the shelf.  The colours look nice together!  So if you fancy one, you can probably find one there right now.

Sunday, September 14, 2014

I'm featured on Ali Benyon's Blog today - 'How to Get Work as a Freelance Designer'!

Today I'm very excited to have been featured on Ali Benyon's brilliant blog.  She's featuring three artists over the course of this week in a post called How to Get Work as a Freelance Designer -  so please look out for Miriam Bos on Wednesday and Dawn Machell on Friday too.
Please click here to read my answers to her well thought out questions and see a few samples of my work (above are a couple that she used).
Thank you so much Ali for asking me to participate! xxx

Friday, September 12, 2014

Artists Around The World Blog Hop!!!

Before I went away, I was very pleased to be invited by my friend Melissa Iwai to participate in a blog hop called 'Artists Around The World'.  Unfortunately it's taken me more than a month to do my part as I was away for the first few weeks then came back to a back log of work to catch up with.
However, here I am finally doing it!  First I want to tell you about Melissa and show you her work.  You can see more on her website here -  and her blog here
Melissa is an illustrator and author of children's books. She very kindly gave me signed copies of two of her books at Surtex and my children, aged 3 and 9, adore them, especially the one she wrote herself - Soup Day.
The piece below is something Melissa developed from the cuckoo clock assignment in Lilla Rogers' Bootcamp.  Look at the stunning colour palette and the magical, dreamlike quality it lends to the piece.  There is so much to love about this - the rounded, perfectly proportioned characters, the depth created by the tree in the foreground, the soft, pink blurry clouds and the delicately patterned hill in the background.  And the crooked houses!  There are so many well-thought out, beautifully executed elements to this piece.  It's so original - I adore it.

This is Melissa's business card and I think was her submission piece for the cuckoo clock assignment.  Again, the palette is to die for (the orange hair and dusky pink sweater), the character beautifully appealing and the concept ingenious.

And look at the animals too.  It's obvious why her artwork is perfect for children's books.  I also think it would translate in a heart beat to so many other markets but from what I can gather she's so in demand, she's barely had time to consider them!!  I think it's on the cards though!

So the next bit is me answering some questions so here you go!!

1. What are you working on?
I started embroidering this Summer and decided to do one of the Bootcamp assignments (based on cups and drinks) in applique and embroidery.  I enjoyed it so much that I started a group of four pieces and as yet haven't finished them.  That will be my first priority this Autumn.

2. How does your work differ from others in your genre?
Oh - I don't know.  I think my work is quite sophisticated, even when the subject matter is young.  I tend to use quite grown up womenswear palettes as I was a fashion textile designer for years.  My taste is definitely very feminine but not delicate.  I like bold colour and imagery.  I'm also drawn to vintage references because of my history with textile design.  I love vintage fabric (the embroidery above is made with old bed sheets and tablecloths) and I love mid-century modern illustration - the crisp graphic styles that work so well with Illustrator.

3. Why do you create?
Because I can't not!  When my children were very little I made a point of being available for them a hundred percent for at least the first year and didn't work much at all.  I loved being with my babies but by the time I was able to find time to work again I was craving it.   If I was stuck on a desert island I'd start weaving bits of grass and leaves together, drawing in the sand and decorating pebbles before long  - and I'd be sat starving and freezing in my very nicely decorated shack!

4. How does your creative process work?
My creative process ranges from chaotic to militantly organized.  I don't keep routines well but am forced to by my children's school hours.  If I could choose I'd get up at midday and work through the night.  But I can't.  My husband takes my kids to school so as soon as I leave I start checking email, Facebook etc on my phone.  Then I get dressed and try to be in front of my computer by 10.00am.  I work right through until 4.00pm everyday, taking a break to eat lunch, read a book, or just lie around staring at the wall for an hour at some point.  I desperately need to incorporate exercise into this routine so next week I'm joining the gym.  Aaargh!  Let's hope it doesn't turn into a monthly charitable donation and that I actually go!!
I write myself a to do list every Monday and tick it off during the week but I don't have set tasks for each day.  I just do whatever's a priority or what takes my fancy.  I also try not to leave trailing ends anywhere. If I start something I like to finish it before I move on.  That's where I'm militant.  I'm also very organized with storing information and artwork.  It's all very regimented and thoroughly backed up.  I don't plan automatically but when I do, I make very comprehensive, no stone unturned, type plans.

So that was me!  The next bit is to tell you about two other artists and their work.  I've chosen my two good friends Bari J Ackerman and Wendy Brightbill.  They are both painters but approach their artwork very differently as you'll see.

First Bari!  The words that spring to mind most when I see her artwork are 'cornucopia' and 'abundance'.  Bari is a designer for Art Gallery Fabrics and her paintings translate beautifully to her collections.  She's somehow managed to create a magical blend of impressionistic floral imagery, digital imagery and contemporary fabric design that's uniquely hers.  Just look at the palette in the second painting!  Stunning.  Below is a picture of her striking booth at Surtex and once again you can see the abundance of colour and pattern in the peacock and the complementary patterns. You can see more of her beautiful work on her website here and her blog here.

Now Wendy!! Wendy's paintings (so far) are more abstract but she is starting to create more figurative pieces that are beautiful too.  She often combines delicate lacy or geometric motifs with great, joyous sweeps and swirls of color and texture.  Her palettes tend to be very sophisticated and the overall effect is  layered and explorative.  The two stunning pieces below are typical of the gentle, layered complexity of her work and I can imagine either of them as wall art in a very contemporary but feminine setting.

Wendy also designs digitally and you can see how her palettes and overall style are consistent even while the commercial subject matter is wildly different.  I really love this design. Those animals are just like real children. You can see more of Wendy's beautiful work on her website here and her blog here.

Thursday, September 11, 2014

I'm in the Surtex Newsletter!!!

While I was away I was asked to contribute my views on Surtex 2014 to the Aug newsletter.  I was delighted to respond to the questions and explain what a positive experience it was for me.  I'm thrilled to see my name and my work in the newsletter and more than happy to publicly sing my praises of the show!

Monday, September 8, 2014

Vote for me!!! Round Two of Lilla Roger's Global Talent Search!

So today the voting starts.  I am sooo excited to show you my entry for Round 2 of Lilla Roger's Global Talent Search and I would be delighted if you'd vote for me! Below are the details from the competition website.  Click the links to cast your vote!!!!

"Fifty artists were selected from around 1,000 entrants to go through to this round of the competition, and tasked with designing a personified animal character for a young child’s t-shirt. The artists were encouraged to be themselves with a vengeance and create a character with personality.  Check out the fabulousness they created in our online gallery which is open here now!"   

Now is the chance for you to cast your vote

Five finalists will be chosen by our esteemed panel of judges, and one finalist will be chosen by the public! YOUR VOTE COUNTS. The person with the most votes when the gallery closes at 9am PST / 12 noon EST / 5pm GMT on Friday, September 12th will go through to the Final as The People’s Choice."

This means everything to me and my Aztec Zebra knows it.  So here she is pleading on my behalf!

I loved doing this brief but again - the timing was a challenge. We had nine days to complete the artwork and during the first four of those I was still in England without a computer.  I spent that time thinking about a concept and doing some truly awful sketches (see the lion below).  I knew immediately that I wanted my character to be first and foremost a vehicle for pattern - and lots of it, as initially I was thinking about incorporating embroidery into the design.  I knew I wanted to do girlswear as I have more experience designing for females and have a very feminine aesthetic in most of my work.  I also knew I was aiming at 3-5 year olds as the brief referred to 'a young child'.
At first I thought of doing a little lion in a dress and had visions of this beautiful, richly patterned mane.  Then I had a conversation with my cousin and she reminded me that lions are, in fact, boys.  
Oh.  Start again.  So which animals can carry a pattern  and embroidery really well? I was keen to choose a jungle animal rather than a woodland one and was also keen to have it holding something that could be a design feature.  A balloon seemed the obvious choice to become a pocket and a heart shape lent itself well to the function of the pocket.  Since Christmas I've been dying to do a design featuring horses (I didn't have time before Surtex) so a zebra seemed to be the perfect choice to meet all my criteria!  The words "Wild at Heart" seemed fitting as a) they fit with the heart motif and b) the sentiment reminded me of my own children, looking endearingly sweet and innocent but being capable of behaving like wild animals!!!

So I drew this.  Ordinarily I don't sketch much but my computer was still locked away, having come back from holiday, so I had no choice!
I finally managed to put her into Illustrator and give her a bit of color.  Obviously the wrong ones! I printed her out onto fabric to test the idea of embroidering and it didn't work.   The colours were dingy and the idea of then photographing the embroidered zebra, bringing it back into Photoshop and trying to put it on a mocked-up T-shirt, without losing quality and vibrancy, made me change the plans entirely.

I decided to completely revise the colour palette to something more commercial (looking at children's clothing websites and Pinterest helped here!) and imply stitching on the design. I thought this way, at least, the image would stay fun and crisp and work well on a mock-up. 
This design was obviously crying out for co-ordinates.  My intention was to give it as much mileage as possible with the use of pattern so I chose to focus on additional swatches rather than more mocked up products.  I kind of wish I'd done a pair of wellies or a journal but was worried I'd diminish the co-ordinates by mocking them up.  
I used to work as a womenswear textiles designer so adding the neck lining and the trim was the fun bit that came easily at the end.  I really enjoyed doing this group of designs and that lion is going to find a home in there somewhere - not as a transvestite but as a pretty little boy out playing with his zebra friend.